mini-review · Reading Graphically · stuff I read

Heavy Vinyl, Vol. 1 by Carly Usdin and Nina Vakueva (Hi-Fi Fight Club #1)

35606614Summary from Goodreads:
When Chris joins the staff at her local record store, she’s surprised to find out that her co-workers share a secret: they’re all members of a secret fight club that take on the patriarchy and fight crime!

Starry-eyed Chris has just started the dream job every outcast kid in town wants: working at Vinyl Mayhem. It’s as rad as she imagined; her boss is BOSS, her co-workers spend their time arguing over music, pushing against the patriarchy, and endlessly trying to form a band. When Rosie Riot, the staff’s favorite singer, mysteriously vanishes the night before her band’s show, Chris discovers her co-workers are doing more than just sorting vinyl . . . Her local indie record store is also a front for a teen girl vigilante fight club!

Follow writer Carly Usdin (director of Suicide Kale) and artist Nina Vakueva (Lilith’s World) into the Hi-Fi Fight Club, where they deliver a rock and roll tale of intrigue and boundless friendship.

Fight Club + Josie and the Pussycats + Empire Records (so many jokes) + all-lady crew = excellent.

I can haz moar plz? (I mean, I don’t have much more to say. It was really cute.)

Read for the Graphic Novel Book Group at my store.

Dear FTC: I bought my copy of this book.

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mini-review · Reading Diversely · Reading Women · stuff I read

This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America by Morgan Jerkins

35069544Summary from Goodreads:
From one of the fiercest critics writing today, Morgan Jerkins’ highly-anticipated collection of linked essays interweaves her incisive commentary on pop culture, feminism, black history, misogyny, and racism with her own experiences to confront the very real challenges of being a black woman today—perfect for fans of Roxane Gay’s Bad Feminist, Rebecca Solnit’s Men Explain Things to Me, and Chimamanda Ngozie Adichie’s We Should All Be Feminists.

Morgan Jerkins is only in her twenties, but she has already established herself as an insightful, brutally honest writer who isn’t afraid of tackling tough, controversial subjects. In This Will Be My Undoing, she takes on perhaps one of the most provocative contemporary topics: What does it mean to “be”—to live as, to exist as—a black woman today? This is a book about black women, but it’s necessary reading for all Americans.

I was super excited to see that Morgan Jerkins had an essay collection coming out. I’ve really liked her writing that I’ve read in various publications.  I won’t be able to do my reading of her writing justice, but I’ll try.

This Will Be My Undoing is Required Reading for everyone. Jerkins may be writing as a black woman to other black women, but the rest of us are privileged to see her thought processes. She writes about the politics of black hair, black women’s sexuality and how that sexuality is policed, the portrayal of Michelle Obama by the media, dating, and color-blind racism. It was really interesting to be read Jerkins’s thoughts on love, dating, and sex as I was also reading The Wedding DateHaven, and A Princess in Theory (out 2/27, review to come), three pro-black women, consent-positive, romances written by black women. The juxtaposition of what black women want and deserve to have with Jerkins’s experiences as a black woman and a black girl and her reading of how black women’s and girls’ sexuality are policed was just mind-blowing. A few of the early chapters have maybe rough starts where it takes a bit for the form and the subject to gel, but by the time Jerkins hits “Who Will Write Us?” she is absolutely firing on all cylinders. I really look forward to everything else she’s going to write. So glad this got picked up by the BN Discover program.

Dear FTC: I read a paper galley of this book we received at the store.

mini-review · Read Harder · Reading Women · stuff I read · translation

Jagannath by Karin Tidbeck

35969593Summary from Goodreads:
An award-winning debut story collection by Karin Tidbeck, author of Amatka and heir to Borges, Le Guin, and Lovecraft.

A child is born in a tin can. A switchboard operator finds himself in hell. Three corpulent women float somewhere beyond time. Welcome to the weird world of Karin Tidbeck, the visionary Swedish author of literary sci-fi, speculative fiction, and mind-bending fantasy who has captivated readers around the world. Originally published by the tiny press Cheeky Frawg–the passion project of Ann and Jeff VanderMeer–Jagannath has been celebrated by readers and critics alike, with rave reviews from major outlets and support from lauded peers like China Mieville and even Ursula K. Le Guin herself. These are stories in which fairies haunt quiet towns, and an immortal being discovers the nature of time–stories in which anything is possible.

I had heard that Karin Tidbeck’s Amatka was a good book but I hadn’t got around to reading it, yet. So I was really interested in reading the new edition of her collection Jagannath, originally published by the Vandermeers’ indie press Cheeky Frawg in 2012. Jagannath is an unexpectedly lovely and unsettling collection of short stories that occupy a liminal space between reality and folktales (with a few dips into more mainstream fantasy). This is a collection for fans of Sofia Samatar, Margo Langergan, Amber Sparks, and Laura van den Berg, excellent company indeed. Tidbeck did her own translations for those pieces originally published in Swedish and I honestly couldn’t tell the difference between those originally written in English and the translations.

The new edition of Jagannath is available on February 6.

Dear FTC: I read a digital galley of this book from the publisher via Edelweiss.