Summary from Goodreads:
The one you love…
Robert Selby is determined to see his sister make an advantageous match. But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever.
May not be who you think…
Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp.
But is who you need…
When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?
Thus far in her writing career at Avon, Cat Sebastian has created four compelling, smart m/m romances. For her fifth book, she hit us with a surprise: her new couple was not comprised of two gay men.
Unmasked by the Marquess begins as the stodgy, grouchy, and very proper Marquess of Pembroke – whose father was rather notorious in his gambling and womanizing ways – is called upon by a complete stranger to grant a favor. The young Mr. Robert Selby has a very pretty younger sister in need of a good launch into Society and could Pembroke, as a very respectable member of the aristocracy, perhaps pay her some notice? Other gentlemen (i.e. of the titled, moneyed kind) would then notice Louisa and she would then be able to make a very good match. After a bit of back and forth – and a fortuitously loose bonnet ribbon – Pembroke agrees to the request and also becomes a bit interested in the bold young man who orchestrated the whole thing.
The rather interesting wrinkle in this relationship is that Mr. Selby is not a “mister” nor perhaps a “Selby” – he is Charity Church, an orphan raised as a maid, but who was sent off to Cambridge to receive a first-rate education under the guise of “Robert Selby” at the behest of her master, the real Robert Selby. The problem facing Charity now is that Robert Selby died unexpectedly of the influenza leaving behind Charity-as-Robert and a very (very) pretty sister Louisa and not very much money, since the estate will now pass to a cousin. So Charity and Lou concealed Selby’s death and have gone on as “Robert” and Louisa for the last two years while concocting this plan to get Louisa a husband to provide for her.
But Pembroke isn’t a fool, nor is he as straight-laced as he seems. When his aimless younger brother takes an interest in Louisa, and Pembroke becomes interested in Selby as more than just a friend, Pembroke begins to investigate a few cracks in Selby’s story. And he blows Charity’s secrets wide open.
Unmasked by the Marquess is an amazing, smart romance novel about an intelligent, genderfluid/nonbinary person and a bisexual aristocrat in the Regency period. The characters are funny and charming but so heartfelt and ready to walk right off the page. It is also a novel with a lot of consider about gender performance versus sexual preference. In Sebastian’s “Author Note” she provides more than enough historical context for anyone who needed proof that non-binary people could exist in the Regency (they’ve always existed, which is the point, and existed throughout history often at great risk to their lives). Charity, later renamed Robin in the book since she is neither a “Charity” nor a “Robert,” uses female pronouns, a choice Sebastian made and one that makes sense to me, but really creates a place for herself to exist in the world that is not “male” or “female” but rather in-between or both.
Pembroke really grows with Robin as he realizes that, first of all, he’s been a right bastard to his half-sisters because of his father issues, and second, if you have money and privilege the rest of Society will either get behind you or will stay out of your way. In this way, Pembroke is the polar opposite of Dain from Loretta Chase’s Lord of Scoundrels. Dain starts out as the most hedonistic, “wicked” aristocrat, able to do whatever he likes because of his immense wealth and rank, who becomes less of a prickly jackass once he finds a woman more than capable of dealing with his bullshit (spoiler: she shoots him). Pembroke is the stuffiest of Stuffy, Uptight, British Males until Robin comes along and makes him realize that he denies himself a lot of joy and happiness in the pursuit of “respectability.” (Richard Armitage is now Pembroke, I accept this headcanon. I’ve got three words for you: North and South.)
So, a smart genderfluid ex-maidservant + a bisexual stuffy marquess + Regency + secrets + hijinks = Cat Sebastian upping her game. I loved it so much. Y’all will want to read this immediately. It’s out now, by the way.
I do have to say, though, a petition is needed to have Avon get Cat Sebastian better covers. The general design is fine but they need to look less like student Photoshop projects. (Like, is Pembroke missing a thumb here?) And if you look up her next book on Goodreads, the cover shown there looks very much like two dudes pasted together from different stock photos. (Although, I need the text of that book in my eyeballs immediately because I do so want a cinnamon roll publican and bored socialite – whatever the male version of socialite is – heist m/m romance novel like yesterday.) Her books are selling, so spend a little more money on the actual art.
Dear FTC: I read the digital galley of this book and immediately pre-ordered it on my nook.