Summary from Goodreads:
Paris, at the dawn of the modern age:
Prince Sebastian is looking for a bride―or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia―the hottest fashion icon in the world capital of fashion!
Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances―one of only two people who know the truth: sometimes this boy wears dresses. But Frances dreams of greatness, and being someone’s secret weapon means being a secret. Forever. How long can Frances defer her dreams to protect a friend? Jen Wang weaves an exuberantly romantic tale of identity, young love, art, and family. A fairy tale for any age, The Prince and the Dressmaker will steal your heart.
Do you want a beautifully drawn original graphic novel about a teenage prince in Belle Époque-esque France who secretly does drag and the dressmaker he finds to both dress him and keep his secret? Oh, you do.
The Prince and the Dressmaker written and illustrated by Jen Wang is gorgeous novel about identity and friendship and dreams. Sebastian and Frances are such wonderful characters, one trapped by gender expression and the other by class, and their story is so sweet. I love how Wang explores artistic expression and gendered clothing style. I feel like she’s noodling with the concept that what clothing one puts on one’s body is separate from one’s sexual orientation or gender. The reader is never shown WHO Sebastian is attracted to – whether men or women or both (or neither, since he’s only sixteen) – or if he doesn’t identify as male or is genderfluid. In the space of this book, Sebastian just loves to wear beautiful clothes and Frances is the one who can make them. In my opinion, the Lady Crystallia persona is really only used when Sebastian is hiding that portion of himself; once his secret is discovered, the persona is no longer necessary for him to dress in drag (FYI, there is a very cruel “outing” scene). I really like how Wang left the specifics unfinished and fluid. Fluidity in gender identity or expression still isn’t often found on the shelves. The art is lovely – fashionistas should be very, very jealous that these gowns do not exist for real.
The Prince and the Dressmaker is out now!
Dear FTC: I bought my copy of this book since I wasn’t cool enough to get a galley.