Summary from Goodreads:
Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling.
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.
Would you like to be slowly, tenderly, and exquisitely murdered by a novel? If yes, read On Earth We’re Briefly Gorgeous by Ocean Vuong. If no, read it anyway.
This debut novel is a beautiful extended letter from a son to a mother who may not ever choose or be able to read it. Little Dog’s narrative is damn near plotless but reveals very slowly, like attempting to peel off a Band-Aid, so many traumas and scars left by war, racism, homophobia, poverty, mental illness, and addiction. We get vignettes of Little Dog’s grandmother Lan raising a biracial child, of Little Dog witnessing his mother abused by his father, of Lan lost in a haze of PTSD and schizophrenia, of Little Dog’s mother working herself to the bone as a manicurist, and of Little Dog himself as he deals with racism from other children and homophobia from his first lover, a boy named Trevor who is also a victim of the growing opioid crisis.
If you liked Alexander Chee’s writing, particularly Edinburgh, you will love Vuong’s writing.
Dear FTC: I had to buy a copy of this book because I was savoring it too much to merely just read a digital galley.