Summary from Goodreads:
Once beloved by London’s fashionable elite, Hartley Sedgwick has become a recluse after a spate of salacious gossip exposed his most-private secrets. Rarely venturing from the house whose inheritance is a daily reminder of his downfall, he’s captivated by the exceedingly handsome man who seeks to rob him.
Since retiring from the boxing ring, Sam Fox has made his pub, The Bell, into a haven for those in his Free Black community. But when his best friend Kate implores him to find and destroy a scandalously revealing painting of her, he agrees. Sam would do anything to protect those he loves, even if it means stealing from a wealthy gentleman. But when he encounters Hartley, he soon finds himself wanting to steal more than just a painting from the lovely, lonely man—he wants to steal his heart.
Content Warning from Author: This book includes a main character who was sexually abused in the past; abuse happens off page but is alluded to.
The squealing that happened when I found the digital galley for A Gentleman Never Keeps Score on Edelweiss….I apologize to everyone in a three-county radius. I was that excited. Because I have wanted to read about Sam Fox ever since I read Cat Sebastian’s description of the book on her Twitter.
Sam is an ex-prize-fighter and publican, the owner of The Bell which Sam sees as an integral part of the Free Black community in London. It’s a place to get news, get a hot meal, get a decent drink, and socialize with other members of the small London community. When Sam’s friend (and future sister-in-law and community midwife) Kate asks him to recover a nude painting she posed for as a younger woman in need of money, he agrees. With some trepidation because a Black man caught house-breaking in Regency London would not come to a good ending.
In the course of planning out his house-breaking, Sam runs into Hartley. In the alley behind Hartley’s own Brook Street house – the target of Sam’s mission. Hartley was bequeathed the house from Sir Humphrey Easterbrook (more on this below) and after a series of comical misunderstandings Sam and Hartley get down to business. The painting. Which, unfortunately for Sam, is likely no longer in the house because the artwork had been removed from the walls before Hartley took possession.
But this doesn’t mean Sam’s mission is at an end because Hartley would also like to recover a painting from Sir Humphrey’s collection. Hartley allowed himself to be a sort of “kept” man by Sir Humphrey when a teen because it would ensure that his brothers would be able to attend school or university, and not be destitute. And now that Hartley has inherited the house, and a little money, and has the clothes, and the curricle this means his is a gentleman – he feels like what he gave up to Sir Humphrey has been worth it, even the fact that he can’t bear to be touched. Except that someone has spread a rumor about Hartley’s sexual orientation and now he’s an outcast in Society. If this painting is ever made public, he could lose his life.
So the most unlikely pair begins to work together to find these paintings. They also begin very, very cautiously to work toward each other and find middle ground as a gay, cross-class, bi-racial couple in Regency London. Along the way they create a family of non-Society “outcasts,” from Kate and Nick (and other members of the Black community) to Hartley’s valet/man-of-work Alf, a young gay man, and Sadie, a young unwed mother abandoned by her “respectable” family due to her pregnancy who becomes Hartley’s cook. Hartley’s brothers Ben and Will also pop up (although I was slightly disappointed that Ben did not bring his “sea captain” and the kids).
I love this book. Sam Fox is the sweetest man ever invented, I swear. He’s such a cinnamon roll. Hartley is a wonderfully multi-layered character with the way he uses his privilege to mask his hurt and protect Sam. The way Sam and Hartley actually talk through their issues and misunderstandings is just A+. Also, there is a scene late in the book that just filled my heart to bursting. (Incidentally, there is also a scene that is so hot that you will need to fan yourself. Holy cannoli. This book gets steamy, y’all, and it’s so well-written.)
Small trigger warning, as the author herself stated in the description, Hartley was abused/coerced as a young man, alluded to in the previous book, It Takes Two to Tumble, and clarified here, but Sebastian does not go into details on the page. Just FYI if you need to know ahead of time.
Now, I am intrigued at all the places Cat Sebastian is going these days. Her next book, due in the fall, is A Duke in Disguise, about a guy who doesn’t want to be a duke (I think?) and a bookseller who just wants to get on with her publishing business. And then we get a book the third Sedgwick brother, Will, who is apparently involved with Sir Humphrey’s son Martin and that was a twist I was not expecting (nor was Hartley, who then gave us a hilarious aside wondering about the probability of all the Sedgwick males being gay).
Dear FTC: I read this thing like yesterday once the galley was downloaded on my iPad and I’ve had this pre-ordered on my Nook since that was possible.