mini-review · stuff I read · translation

Käsebier Takes Berlin by Gabriele Tergit, translated by Sophie Duvernoy

38911927._SY475_Summary from Goodreads:
In Berlin, 1930, the name Käsebier is on everyone’s lips. A literal combination of the German words for “cheese” and “beer,” it’s an unglamorous name for an unglamorous man—a small-time crooner who performs nightly on a shabby stage for laborers, secretaries, and shopkeepers. Until the press shows up.

In the blink of an eye, this everyman is made a star: a star who can sing songs for a troubled time. Margot Weissmann, the arts patron, hosts champagne breakfasts for Käsebier; Muschler the banker builds a theater in his honor; Willi Frächter, a parvenu writer, makes a mint off Käsebier-themed business ventures and books. All the while, the journalists who catapulted Käsebier to fame watch the monstrous media machine churn in amazement—and are aghast at the demons they have unleashed.

In Käsebier Takes Berlin, the journalist Gabriele Tergit penned a searing satire of the excesses and follies of the Weimar Republic. Chronicling a country on the brink of fascism and a press on the edge of collapse, Tergit’s novel caused a sensation when it was published in 1931. As witty as Kurt Tucholsky and as trenchant as Karl Kraus, Tergit portrays a world too entranced by fireworks to notice its smoldering edges.

Käsebier Takes Berlin jumped out at me when I was looking through the New York Review Books Classics catalog. “Cheese beer” is the literal translation of “Käsebier” – what is that name? This is the first English translation of a satirical novel from 1931 Germany, whose author fled the rise of Nazism in 1933, eventually ending up in London. OK. I’m in.

Käsebier Takes Berlin shows us a “year-in-the-life” of what happens when a mediocre Jewish Everyman (Käsebier) becomes an overnight cabaret sensation (look, it was a slow news day). He becomes a media darling, despite singing lukewarm 1930s dancehall music, and lends his name to everything from shoes to rubber dolls to the construction of a luxury apartment building by a shady speculator. Then it all falls apart. T

This is the driest satirical look at the Berlin intelligentsia and upper class of 1930. Gabriele Tergit spares no one, not even Käsebier. Tergit skewers the capitalist drive to make as much money as possible off the hot shit for the moment – a drive that still exists in ever-increasing amounts of media tie-in rubbish and branding in the 21st century. She also gives part of the narrative to Miss Kohler, also referred to as Dr. Kohler, a woman with a doctorate who is severely under-employed at a middling newspaper and is repeatedly strung along by an old boyfriend. It’s an interesting look at a woman stuck at the crossroads between the modern and the traditional roles for women just as Germany the country is about to start on the long road to atrocity. An interesting book for me to read and contrast with the Germany of Fritz Lang’s M (a favorite movie) and Isherwood’s Berlin Stories.

Käsebier Takes Berlin is out on Tuesday, July 30!

Dear FTC: I read a digital galley of this book from the publisher via Edelweiss.

Advertisements
mini-review · stuff I read

The Vexations by Caitlin Horrocks

42283234Summary from Goodreads:
A kaleidoscopic debut novel about love, family, genius, and the madness of art, circling the life of eccentric composer Erik Satie and La Belle Époque Paris, from a writer who is “wildly entertaining” (San Francisco Chronicle), “startlingly ingenious” (Boston Globe), and “impressively sharp” (New York Times Book Review).

Erik Satie begins life with every possible advantage. But after the dual blows of his mother’s early death and his father’s breakdown upend his childhood, Erik and his younger siblings — Louise and Conrad — are scattered. Later, as an ambitious young composer, Erik flings himself into the Parisian art scene, aiming for greatness but achieving only notoriety.
As the years, then decades, pass, he alienates those in his circle as often as he inspires them, lashing out at friends and lovers like Claude Debussy and Suzanne Valadon. Only Louise and Conrad are steadfast allies. Together they strive to maintain their faith in their brother’s talent and hold fast the badly frayed threads of family. But in a journey that will take her from Normandy to Paris to Argentina, Louise is rocked by a severe loss that ultimately forces her into a reckoning with how Erik — obsessed with his art and hungry for fame — will never be the brother she’s wished for.
With her buoyant, vivid reimagination of an iconic artist’s eventful life, Caitlin Horrocks has written a captivating and ceaselessly entertaining novel about the tenacious bonds of family and the costs of greatness, both to ourselves and to those we love.

The Vexations is a very intimate novel about the life of Erik Satie and his sister, brother, and two friends who knew him well. The writing is beautiful, particularly in those chapters from Satie’s perspective talking about “touch” or music, and Horrocks described the Montmartre that Satie inhabited so well. The chapters from his sister Louise’s perspective are interesting. These chapters are the only ones told using a first-person narrator; all others, including Satie’s chapters, are told using a close third person perspective. I think I figured out why the author made that choice – Louise outlives every else involved in Satie’s life – but I don’t quite think it was needed. I would also argue that while Satie is the focus of the novel, as a man writing music that needed the world to catch up to him, Louise is as important a character. She brings to life a woman who was a talented pianist, who may have blossomed given the instruction and encouragement that Erik is given (that he rejects), but is instead relegated to the roles of mother, widow, and then branded an unfit mother by the French legal system and a greedy brother-in-law.

Dear FTC: I read a digital galley of this book from the publisher via Edelweiss.

Read My Own Damn Books · stuff I read

Confessions of the Fox by Jordy Rosenberg

36470806._SY475_Summary from Goodreads:
Set in the eighteenth century London underworld, this bawdy, genre-bending novel reimagines the life of thief and jailbreaker Jack Sheppard to tell a profound story about gender, love, and liberation.

Recently jilted and increasingly unhinged, Dr. Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary eighteenth century thief. No one knows Jack’s true story—his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled Confessions of the Fox.

Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at twelve, P struggles for years with her desire to live as “Jack.” When P falls dizzyingly in love with Bess, a sex worker looking for freedom of her own, P begins to imagine a different life. Bess brings P into the London underworld where scamps and rogues clash with London’s newly established police force, queer subcultures thrive, and ominous threats of an oncoming plague abound. At last, P becomes Jack Sheppard, one of the most notorious—and most wanted—thieves in history.

Back in the present, Dr. Voth works feverishly day and night to authenticate the manuscript. But he’s not the only one who wants Jack’s story—and some people will do whatever it takes to get it. As both Jack and Voth are drawn into corruption and conspiracy, it becomes clear that their fates are intertwined—and only a miracle will save them both.

An imaginative retelling of Brecht’s Threepenny Opera, Confessions of the Fox blends high-spirited adventure, subversive history, and provocative wit to animate forgotten histories and the extraordinary characters hidden within.

Confessions of the Fox snagged my attention in catalogs last year and I started trying to read it as a digital galley. However, the structure of Confessions of the Fox is such that it makes digital reading very hard – there are MANY footnotes – so I waited to pick up a hardcover to try and read it. And then I realized that it required some involved reading time given the nature of how the story is told. So I started this book several times before I finally parked my butt on the couch during 24 in 48 and read the entire thing in one sitting.

This. Book. Is. Wild. 

The book opens with Dr. Voth, ostensibly telling the reader that the manuscript we are about to read was discovered as the university he works for emptied the stacks to make way for fancy administrative offices and that it is a ground-breaking work. The manuscript is purported to be the memoirs of one Jack Sheppard, a legendary outlaw in eighteenth-century London who serves as the inspiration for The Threepenny Opera and Mack the Knife. As “Jack” tells his story, the details of his life twist away from known sources. In this source Jack is a transman and his girlfriend Bess refers to herself as “lascar,” making her a woman of South Asian descent. As the narrative shifts and twists it seems to grow beyond the page…but is it real? Is Jack a narrator we can trust? Or Bess?

In between Jack’s story we get two sets of footnotes: 1) the annotations made by Dr. Voth noting deviations in the text from known facts about Jack Sheppard and explanations of seventeenth-century slang and 2) Dr. Voth begins to narrate the absurd twists his life takes after his discovery of the manuscript. As a transman, Dr. Voth is deeply invested in a manuscript that, if authenticated, would bring a significant contribution to trans and queer literature and history. And it is this emotional connection to the manuscript that opens Dr. Voth to manipulation by less-than-savory sources. It creates a second narrative within a frame around the Jack Sheppard narrative.

Jordy Rosenberg has given us a novel that is at once a purported eighteenth-century memoir and a narrative that morphs into a rallying cry against the commoditization of bodies, of prison abolition, of anti-colonialism, of anti-racism, of trans self-determination. Surrounding this is a framing narrative in footnotes of the professor annotating this tale and his fight against a university increasingly beholden to shady corporate and pharmaceutical interests, veering from Sterne-ean to Vonnegut-like levels of absurdity. Confessions of the Fox is a very complex book but well-worth the read.

I will give a trigger warning for this book. There are several instances where cis characters express an intrusive (and in one instance, gross) interest in a transman’s genitalia. There is also a scene of a surgery that is very appropriate to the historical setting in its details. Given that Rosenberg is a professor of queer and gender theory as well as eighteenth-century literature, I think the subject matter and situations in this book were handled very well. 

Dear FTC: I started reading a digital galley of this book from the publisher via Edelweiss but wound up having to buy a copy because of the formatting.

Austenesque · mini-review · stuff I read

Austentatious: The Evolving World of Jane Austen Fans by Holly Luetkenhaus and Zoe Weinstein

cfacdfe7-e9a7-45da-a4ee-119630f54791Summary from Goodreads:
The amount of fan-generated content about Jane Austen and her novels has long surpassed the author’s original canon. Adaptations like Clueless, Pride and Prejudice and Zombies, Jane Austen’s Fight Club, and The Lizzie Bennet Diaries have given Austen fans priceless opportunities to enjoy the classic texts anew, and continue to bring new and younger fans into the fold. Now, through online culture, the amount and type of fan-created works has exponentially multiplied in recent years. Fans write stories, create art, make videos, and craft memes, all in homage to one of the most celebrated authors of all time.

This book explores online fan spaces in search of “Janeites” all over the world to discover what fans are making, how fans are sharing their work, and why it matters that so many women and nonbinary individuals find a haven not only in Jane Austen, but also in Jane Austen fandom. In relatable chapters based on firsthand experience, the authors explore how Austen fandom has and continues to build communities around women, people of color, and the LGBTQ+ community. Whether Janeites are shrewdly picking up on the latent sexual tension between women in Emma or casting people of color in leading roles, Luetkenhaus and Weinstein argue that Austen fans are particularly adept at marrying fantasy and feminism.

New book about Jane Austen and fan culture? Where and when? *grin* This is very much my jam.

Austentatious is a fun yet academic examination of Austen fan culture, from fanon, online communities, and shipping to book-to-screen adaptations and queer representation. I really appreciated Chapter 2 about the adaptation of Austen’s Emma into the movie Clueless (total Betty!), which probably shows my age. There are good chapters near the end about Austen and LGBTQ+ themes/ships which provided some interesting perspectives about how the canon novels can be interpreted and how they are adapted via shipping. The book is a little short, with only nine chapters, so I would have liked a few more chapters poking into more crevices.

Dear FTC: I bought my copy of this book.

Readathon · stuff I read

24in48 Readathon July 2019: Wrapping up!

Heyo! 24in48 is over for another six months (womp womp) but it was a great Readathon for me. I didn’t read for 24 hours due to schedule (and sleep, rats) but I did read for just over 18 hours, finished five books, and read 1294 pages. Whee!

img_1878c3e6c730-0fcb-48fa-aea0-8e813bed440d

The next 24in48 Readathon is scheduled for January 18-19, 2020! Follow their page for details and signups! Much love to unicorn-hosts Rachel, Kerry, and Kristen and their social media good fairies Sarah and Amanda!

stuff I read

Get ready, get set…24in48 Readathon July 20-21!

It’s July and that means the 24in48 Readathon is underway!

Whee!!!!!!!

My nerdy, bookish corner of the Internet spends the 48 hours of the weekend trying to read for 24 hours collectively, starting at 12am EST on July 20. So basically, starting right now!

I threw together a stack of half-read books that I needed to finish.

Follow the @24in48 Instagram or Twitter and the #24in48 and #24in48readathon hashtags if you want to join in the fun. (To participate in the challenges you’ll need to be registered at 24in48.com.(

Happy readathon!!!

mini-review · stuff I read

Mrs. Everything by Jennifer Weiner

46265702._SY475_Summary from Goodreads:
From Jennifer Weiner, the #1 New York Times bestselling author of Who Do You Love and In Her Shoes, comes a smart, thoughtful, and timely exploration of two sisters’ lives from the 1950s to the present as they struggle to find their places—and be true to themselves—in a rapidly evolving world. Mrs. Everything is an ambitious, richly textured journey through history—and herstory—as these two sisters navigate a changing America over the course of their lives.

Do we change or does the world change us?

Jo and Bethie Kaufman were born into a world full of promise.

Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.

But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?

In her most ambitious novel yet, Jennifer Weiner tells a story of two sisters who, with their different dreams and different paths, offer answers to the question: How should a woman be in the world?

I liked Mrs. Everything, especially the relationship between Jo and Bethie and how women’s roles have changed (or not changed, see also: #metoo) over the latter half of the 20th century. But it felt very draggy to me, with some parts rendered so beautifully early in the book and then others very slapdash later. She could have used some balance in the narrative pacing.

It’s definitely an ambitious book, based on events in her mother’s life. The author’s note in the back of the Barnes and Noble Book Club edition was very informative. I haven’t read any of Weiner’s previous books so I don’t know how this compares to Good in Bed or In Her Shoes.

Read for BN Book Club. A trigger warning for a brief description of sexual assault and abortion on the page and several depictions of unwanted groping.

Dear FTC: I read a paper galley of this book provided by the publisher to the Book Club leader.

Romantic Reads · stuff I read

The Wedding Party by Jasmine Guillory (The Wedding Date #3)

42599067Summary from Goodreads:
Maddie and Theo have two things in common:

1. Alexa is their best friend
2. They hate each other

After an “oops, we made a mistake” night together, neither one can stop thinking about the other. With Alexa’s wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they’re comfortable with. Underneath the sharp barbs they toss at each other is a simmering attraction that won’t fade. It builds until they find themselves sneaking off together to release some tension when Alexa isn’t looking.

But as with any engagement with a nemesis, there are unspoken rules that must be abided by. First and foremost, don’t fall in love.

Now you know why I had to get The Proposal finished ASAP – The Wedding Party galleys went live! LOL.

We met Maddie (Alexa’s best friend) and Theo (Alexa’s work husband) in The Wedding Date and they don’t like each other, even though they’re Alexa’s attendants at her wedding. It’s bit Pride and Prejudice – Theo thinks being a stylist is a waste, Maddie thinks Theo is a stuck-up snob. They have a little one-night stand at the beginning of The Wedding Party – and intend to never speak of it again – but since they have to interact because of “bridal party” duties they keep finding themselves alone together. Soon, Maddie and Theo are hanging out (I had a really bad pun here but I am going to spare you) outside of wedding duties.

4 stars overall: The beginning of the book felt rushed but I liked how Theo and Maddie found themselves caught in the trap of “we said this was a fling but how do we admit this is more” because God forbid you show anyone your softer bits or give ground first. I loved Maddie’s idea of creating a way to help low income women with style tips was aces and how she remembered what her mother went through as a single parent without a large income or support. I read this book while I was on vacation in San Francisco – it was really neat to be able to put the geography from the book together with the real streets and neighborhoods (and the climate – even though it was late May it sure as heck wasn’t very warm at night!).

5 great big stars for Alexa: She makes a big appearance here as Maddie and Theo’s bestie (and sets up the “I love you” scene SO WELL) and I ❤️ her.

Now, if having a great story for Maddie isn’t enough, Maddie’s awesome mom Vivian is going to get her own HEA in November! Christmas romance! In England! Royals!

Dear FTC: I read a digital galley of this book from the publisher via Edelweiss.