Summary from Goodreads: Brenna: There are some people in life who know exactly how to push your buttons. For me, it’s Rye Peterson. We can’t spend more than ten minutes together before we’re at each other’s throats, which makes working together that much harder. Rye is the bassist for Kill John, the biggest rock band in the world, and I am his publicist. It doesn’t help that the man is gorgeous, funny, talented, and…never takes anything seriously. Avoidance is key. But everything changes when he overhears something he shouldn’t: a confession made in a moment of weakness. Now the man I’ve tried so hard to ignore is offering me the greatest temptation of all—him.
Rye: Brenna James is the one. The one I can’t have. The one I can’t get out of my mind. Believe me, I’ve tried; the woman loathes me. I managed well enough—until I heard her say she’s as lonely as I am. That she needed to be touched, held, satisfied. And I could no longer deny the truth: I wanted to be the one to give her what she craved. I convinced her that it would just be sex, mutual satisfaction with nothing deeper. But the moment I have her, she becomes my world. I’ve never given her a good reason to trust me before. Now, I’ve got to show Brenna that we’re so much better together than we ever were apart. Things are going to get messy. But getting messy with Brenna is what I do best.
I know I talked about Managed here (which is book 2 of the VIP series, the first and third are Idol and Fall) – and now we finally have a book for Rye with Exposed!
Oh man – this book. Frenemies to friends/fuckbuddies to lovers. Callihan has been setting up Brenna and Rye in the three previous books by having them develop this icy politeness/work relationship so that she can just crack it in Exposed. I love how all the conflict in this book is internal, just Rye and Brenna working out their misconceptions and prejudices toward each other. A lot of their history has to do with how young they were when they first met and were attracted to each other and then not really being able to act on that through external pressures and events. I do wish that Callihan had done more with the subplot (there’s a thing going on with Rye’s hands – alarming, since he’s a musician) that seems to kind of drop away after a bit. I do love how Scottie keeps showing up in the books as this sneaky matchmaker, haha. Fatherhood hasn’t fazed him in the least.
Dear FTC: I had my copy pre-ordered on my Nook since I’m not fancy enough to have got a galley.