Summary from Goodreads:
A brilliant exploration of the natural, medical, psychological, and political facets of fertility
When Belle Boggs’s “The Art of Waiting” was published in Orion in 2012, it went viral, leading to republication in Harper’s Magazine, an interview on NPR’s The Diane Rehm Show, and a spot at the intersection of “highbrow” and “brilliant” in New York magazine’s “Approval Matrix.”
In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her–the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo–for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who’s Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives.
In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
As usual, Graywolf hit it out of the park with The Art of Waiting. Boggs intertwined the story of her own struggle with infertility with a larger look at the ethics of and barriers to assisted reproductive technologies and the cultural pressure to have children. The resulting book is a thoughtful examination of child-bearing in the 21st century and the pressures placed on women both physically and psychologically when the biology doesn’t work as society assumes it should. Boggs also tried to expand her work into the specific barriers facing same-sex couples, single parents, and people of color – few ART resources are readily available to women who are not white, well-off, hetero-normative, married couples, an area of institutional discrimination that needs a great deal of work.
The Art of Waiting wasn’t a book I was looking for – I’m pretty much in the “will never have kids” camp – but I’m so glad Marisa at the Greywolf table told me to come back the next day when Boggs would be there signing galleys. (And pressing four-leaf clovers between the pages – I was very careful not to lose such a sweet gesture.)
Dear FTC: I have a signed galley of this book from the publisher from BEA.