Summary from Goodreads:
Gideon the Ninth is the most fun you’ll ever have with a skeleton.
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead bullshit.
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as necromantic skeletons. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
Just a little teaser to tell you to mark your calendars for September 10, 2019, fans of totally weird shit from Tor. Gideon the Ninth is the first book in what promises to be an amazing trilogy about necromancers, magic (maybe?), science (also maybe?), politics, sword-fighting, queer ladies, weird morbid death cults, and animated skeletons all narrated by the snarkiest, most obnoxious teenage ginger ever aka Gideon, of the Ninth House. What’s not to like? And if you need more encouragement, Gideon was referred to as a hot buff trashweasel on Twitter. You need this book. Call your local bookstore, order it on your ebook retailer of choice, make a post-it for a carrier pigeon.
(CW for discussion of suicide)
Dear FTC: I read a digital galley of this book from the publisher via Edelweiss.