Summary from Goodreads:
A ruthlessly honest, emotionally charged exploration of the psychological condition of being Asian American, by an award-winning poet and essayist
Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition—if such a thing exists?
Poet and essayist Cathy Park Hong fearlessly and provocatively confronts this thorny subject, blending memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. Binding these essays together is Hong’s theory of “minor feelings.” As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality—when you believe the lies you’re told about your own racial identity.
With sly humor and a poet’s searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche—and of a writer’s search to both uncover and speak the truth.
I had Minor Feelings on my list of 2020 to-reads but when I saw Alexander Chee raving about it I bumped it up my reading queue. He’d never steer anyone wrong.
Hong’s book is a thought-provoking and provocative collection of essays concentrating on the lived experience of being Asian-American in America. Hong is a Korean-American poet, so much of her life experience centers around being a child of successful Korean immigrants in a majority-white neighborhood and education system (Hong attended Oberlin for her undergrad). Those experiences are her jumping off point to examine microaggressions, language, the pressures of being the “good” immigrants, expectations of gratitude, and a beautiful, haunting essay that walks the line of biography and true crime about artist Theresa Hak Kyung Cha, an author and artist who was murdered in the early 1980s.
A must-read for 2020.
Dear FTC: I read a digital galley of this book from the publisher via Edelweiss.