Summary from Goodreads:
The classic forerunner to The Fall of the Kings now with three bonus stories.
Hailed by critics as “a bravura performance” (Locus) and “witty, sharp-eyed, [and] full of interesting people” (Newsday), this classic melodrama of manners, filled with remarkable plot twists and unexpected humor, takes fantasy to an unprecedented level of elegant writing and scintillating wit. Award-winning author Ellen Kushner has created a world of unforgettable characters whose political ambitions, passionate love affairs, and age-old rivalries collide with deadly results.
On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless–until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.
I picked up Swordspoint a while back because it kept popping up on lists of fantasy novels with good queer rep on the page, which it definitely has. But this is also the ur-“mannerpunk” novel, a smash-up of Jane Austen, Baroness Orczy, and fantasy. I really liked the world-building and the writing. The premise is fantastic – a quasi-Georgian alternate England (where the old aristocratic system has morphed into something that thinks it’s a republic of sorts) where master swordsmen are hired to settle disputes in duels (upper class swords are only for show and it’s frowned upon to actually learn swordfighting). There’s a lot of gay and bisexual rep on the page but one question: there were a lot of male perspectives on sex but really only one woman who seemed to have agency in this area so it was hard to tell if women in this world formed non-hetero pairings or not unless I missed it.
The major drawback, for me, is that this is a book that holds the cards of its plot extremely close to its chest. It’s Politics, in the way that Kushiel’s Dart or ASOIAF are about Politics, but this is all boardrooms and bedrooms and double entendres and behind-the-back-deals instead of war and soldiers. It’s very subtle so you have to pay attention. I occasionally lost the thread of the plot – heyo, I was into this for the sword fights, of which it has many, A+ – and at the end I’m still not exactly sure what happened. This is definitely more of a character- and setting-driven book than a plot-driven one.
Dear FTC: I bought my copy on my Nook.