Summary from Goodreads:
A fierce debut novel about mothers and daughters, haves and have-nots, and the stark realities behind the American Dream
A waitress at the Betsy Ross Diner, Elsie hopes her nickel-and-dime tips will add up to a new life. Then she meets Bashkim, who is at once both worldly and naïve, a married man who left Albania to chase his dreams—and wound up working as a line cook in Waterbury, Connecticut. Back when the brass mills were still open, this bustling factory town drew one wave of immigrants after another. Now it’s the place they can’t seem to leave. Elsie, herself the granddaughter of Lithuanian immigrants, falls in love quickly, but when she learns that she’s pregnant, Elsie can’t help wondering where Bashkim’s heart really lies, and what he’ll do about the wife he left behind.
Seventeen years later, headstrong and independent Luljeta receives a rejection letter from NYU and her first-ever suspension from school on the same day. Instead of striking out on her own in Manhattan, she’s stuck in Connecticut with her mother, Elsie—a fate she refuses to accept. Wondering if the key to her future is unlocking the secrets of the past, Lulu decides to find out what exactly her mother has been hiding about the father she never knew. As she soon discovers, the truth is closer than she ever imagined.
Told in equally gripping parallel narratives with biting wit and grace, Brass announces a fearless new voice with a timely, tender, and quintessentially American story.
Here is the deal: I do not like alternating narratives where the point-of-view changes, especially if one of those perspectives is told in the second person. Almost no one can pull off second person perspective. Like, only Italo Calvino.
And now Xhenet Aliu. My friend Nathan told me I needed to read Brass as soon as humanly possible. Which I tried but then there was a problem with the Edelweiss galley file, then the little bugger expired with about 70 pages to go (and the whole “put your iPad in airplane mode” does not work with Bluefire epub files). So I finally just bought a copy out of exasperation. It was worth it for those 70 pages.
Brass is of the few books to use a second person point-of-view narrator (Lulu) to good effect and in contrast to a first person point-of-view (Elsie). Daughter and mother were both so similar and so different from one another – Aliu really leveraged the contrast in style to help the reader understand their characters. It was very hard to predict how Aliu was going to wind up the narratives. Another knockout book from editor Andrea Walker at Random House.
Congrats to Aliu on her selection in the Barnes and Noble Discover program.
Dear FTC: I was reading a galley from Edelweiss from the publisher and then bought a copy.